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Baird Whitlock
Hail, Caesar! (2016)
Cinematography by: Roger Deakins
Lenses: Zeiss Master Prime Lenses
Editing System: Adobe Premiere Editing System
Frank Walker
Tomorrowland (2015)
Directed by: Brad Bird
Cinematography by: Claudio Miranda
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens
Himself - Guest
'The Daily Show' George Clooney (2014)
Directed by: Chuck O'Neil
Edited by: Mark Paone
Director, Frank Stokes, Producer, Screenplay
The Monuments Men (2014)
Directed by: George Clooney
Cinematography by: Phedon Papamichael
Edited by: Stephen Mirrione
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens
Editing System: Avid Editing System
Producer
August: Osage County (2013)
Directed by: John Wells
Cinematography by: Adriano Goldman
Edited by: Stephen Mirrione
Matt Kowalski, Script Collaborator
Gravity (2013)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Cameras: ARRI ALEXA Camera, ARRIFLEX 765 Camera
Lenses: ARRI / Zeiss Lenses, Panavision Primo Close Focus Spherical Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Producer
Argo (2012)
Directed by: Ben Affleck
Cinematography by: Rodrigo Prieto
Edited by: William Goldenberg
Matt King
The Descendants (2011)
Directed by: Alexander Payne
Cinematography by: Phedon Papamichael
Edited by: Kevin Tent
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Director, Governor Mike Morris, Producer, Screenplay
The Ides of March (2011)
Directed by: George Clooney
Cinematography by: Phedon Papamichael
Edited by: Stephen Mirrione
Cameras: Panavision Panaflex Platinum Camera
Jack / Edward, Producer
The American (2010)
Directed by: Anton Corbijn
Cinematography by: Martin Ruhe
Edited by: Andrew Hulme
Himself
Morning Glory (2010)
Directed by: Roger Michell
Cinematography by: Alwin H. Küchler
Editing System: Avid Editing System
Mr. Fox
Fantastic Mr. Fox (2009)
Directed by: Wes Anderson
Cinematography by: Tristan Oliver
Cameras: Nikon D3 Camera
Lenses: Cooke Varotal Lenses
Executive Producer
The Informant! (2009)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Cameras: Red One Camera
Lyn Cassady, Producer
The Men Who Stare at Goats (2009)
Directed by: Grant Heslov
Cinematography by: Robert Elswit
Edited by: Tatiana S. Riegel
Cameras: Panavision Panaflex Platinum Camera
Ryan Bingham
Up in the Air (2009)
Directed by: Jason Reitman
Cinematography by: Eric Steelberg
Edited by: Dana E. Glauberman
Director, Dodge Connelly
Leatherheads (2008)
Directed by: George Clooney
Cinematography by: Newton Thomas Sigel
Edited by: Stephen Mirrione
Harry Pfarrer
Burn After Reading (2008)
Cinematography by: Emmanuel Lubezki
Cameras: ARRICAM Lite (LT) Camera
Editing System: Final Cut Pro Editing System
Danny Ocean
Ocean's Thirteen (2007)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Executive Producer, Michael Clayton
Michael Clayton (2007)
Directed by: Tony Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Executive Producer
Wind Chill (2007)
Directed by: Gregory Jacobs
Cinematography by: Dan Laustsen
Edited by: Lee Percy
Jake Geismer
The Good German (2006)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Himself - Guest
'The Daily Show' George Clooney (2006)
Directed by: Chuck O'Neil
Edited by: Daric Schlesselman
Executive Producer
The Big Empty (2005)
Cinematography by: Newton Thomas Sigel
Edited by: Maureen O'Keefe
Bob Barnes, Executive Producer
Syriana (2005)
Directed by: Stephen Gaghan
Cinematography by: Robert Elswit
Edited by: Tim Squyres
Executive Producer
Rumor Has It... (2005)
Directed by: Rob Reiner
Cinematography by: Peter Deming
Edited by: Robert Leighton
Himself - Guest
'The Daily Show' George Clooney (2005)
Directed by: Chuck O'Neil
Edited by: Einar Westerlund
Director, Fred Friendly, Written By
Good Night, and Good Luck. (2005)
Directed by: George Clooney
Cinematography by: Robert Elswit
Edited by: Stephen Mirrione
Danny Ocean
Ocean's Twelve (2004)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Devlin
Spy Kids 3-D: Game Over (2003)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Miles
Intolerable Cruelty (2003)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 Camera
Editing System: Final Cut Pro Editing System
Chris Kelvin
Solaris (2002)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Executive Producer
Far from Heaven (2002)
Directed by: Todd Haynes
Cinematography by: Edward Lachman
Edited by: James Lyons
Cameras: Moviecam Compact Camera
Executive Producer
Insomnia (2002)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Dody Dorn
Executive Producer
Rock Star (2001)
Directed by: Stephen Herek
Cinematography by: Ueli Steiger
Edited by: Trudy Ship
Cameras: Panavision Cameras
Devlin
Spy Kids (2001)
Directed by: Robert Rodriguez
Cinematography by: Guillermo Navarro
Edited by: Robert Rodriguez
Danny Ocean
Ocean's Eleven (2001)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Editing System: Avid Editing System
Billy Tyne
The Perfect Storm (2000)
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Richard Francis-Bruce
Everett
O Brother, Where Art Thou? (2000)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke S4 Lenses
Editing System: Final Cut Pro Editing System
Archie Gates
Three Kings (1999)
Directed by: David O. Russell
Cinematography by: Newton Thomas Sigel
Edited by: Robert K. Lambert
Cameras: Panavision Cameras
Himself
The Limey (1999)
Directed by: Steven Soderbergh
Cinematography by: Edward Lachman
Edited by: Sarah Flack
Dr. Gouache
South Park: Bigger, Longer & Uncut (1999)
Directed by: Trey Parker
Edited by: John Venzon
Jack Foley
Out of Sight (1998)
Directed by: Steven Soderbergh
Cinematography by: Elliot Davis
Edited by: Anne V. Coates
Capt. Bosche
The Thin Red Line (1998)
Directed by: Terrence Malick
Cinematography by: John Toll
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Panavision C100 100 mm T2.8 Lens, Panavision C40 40 mm T2.8 Lens, Panavision C50 50 mm T2.3 Lens, Panavision C75 75 mm T2.5 Lens, Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens
Editing System: Avid Editing System
Sparky
'South Park' Big Gay Al's Big Gay Boat Ride (1997)
Directed by: Trey Parker
Edited by: John Laus
Sparky
South Park (1997)
Lt. Col. Thomas Devoe
The Peacemaker (1997)
Directed by: Mimi Leder
Cinematography by: Dietrich Lohmann
Edited by: David Rosenbloom
Batman / Bruce Wayne
Batman & Robin (1997)
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Himself - Guest, Self - Guest
The Daily Show (1996)
Cinematography by: Dave Carroll, Ryan Scafuro, Michael Chase, James P. Brady, James Markham Hall Jr., Peter Zivkovic, Joel Sadler, Matt Sohn
Edited by: Einar Westerlund, Mark Paone, Daric Schlesselman, Randi Snitz, Graham Knox Frazier, Andrew Matheson, David Small, Eric Davies, Nikolai Johnson, Tonya Dreher, Thomas Favilla, Mike Choi, Aurora De Lucia, Amanda Sprecher, Randy Ross, Max Heller, Erin Shannon, Catherine Trasborg, Elyse Kaftan, Jesse Gordon, Woody Richman, Robert York, Eric Kissack, Joseph Vassallo, Matthew Giaquinto, Blake Gingerich, Nick Mougis, Alexis Johnson
Seth Gecko
Curdled (1996)
Directed by: Reb Braddock
Cinematography by: Steven Bernstein
Edited by: Mallory Gottlieb
Jack Taylor
One Fine Day (1996)
Directed by: Michael Hoffman
Cinematography by: Oliver Stapleton
Edited by: Garth Craven
Dr. Michael Mitchell
'Friends' The One with Two Parts: Part 2 (1995)
Directed by: Michael Lembeck
Cinematography by: Richard Hissong
Edited by: Andy Zall
Dr. Michael Mitchell
Friends (1994)
Directed by: Gary Halvorson, Kevin Bright, Michael Lembeck, James Burrows, Gail Mancuso, Peter Bonerz, David Schwimmer, Ben Weiss, Robby Benson, Shelley Jensen, Terry Hughes, Dana De Vally Piazza, Sheldon Epps, Pamela Fryman, Alan Myerson, Thomas Schlamme, Steve Zuckerman, Roger Christiansen, Arlene Sanford, Ellen Gittelsohn, Paul Lazarus, Mary Kay Place, Sam Simon, David Steinberg, Todd Holland, Joe Regalbuto, Andrew Tsao, Stephen Prime
Edited by: Stephen Prime, David Helfand, Andy Zall, Jay Scherberth, Kenny Tintorri, Marnie Bermingham, Todd Felker
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Lip Syncing Transvestite
The Harvest (1992)
Directed by: David Marconi
Cinematography by: Emmanuel Lubezki
Edited by: Carlos Puente
Cameras: Panavision Cameras
