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Director Of Photography
The Big White (2005)
Directed by: Mark Mylod
Cinematography by: James Glennon
Edited by: Julie Monroe
Director Of Photography
Good Boy! (2003)
Directed by: John Hoffman
Cinematography by: James Glennon
Edited by: Craig Herring
Director Of Photography
About Schmidt (2002)
Directed by: Alexander Payne
Cinematography by: James Glennon
Edited by: Kevin Tent
Cameras: Panavision Panaflex Gold II Camera
Cinematographer
South of Heaven, West of Hell (2000)
Directed by: Dwight Yoakam
Cinematography by: James Glennon
Director Of Photography
Election (1999)
Directed by: Alexander Payne
Cinematography by: James Glennon
Edited by: Kevin Tent
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Director Of Photography
Best Men (1997)
Directed by: Tamra Davis
Cinematography by: James Glennon
Edited by: Paul Trejo
Cameras: Panavision Cameras
Cinematographer
Two Voices (1997)
Directed by: Peter Levin
Cinematography by: James Glennon
Edited by: John A. Martinelli
Director Of Photography: Second Unit
Selena (1997)
Directed by: Gregory Nava
Cinematography by: Edward Lachman
Edited by: Nancy Richardson
Cinematographer
Baby Snatcher (1992)
Directed by: Joyce Chopra
Cinematography by: James Glennon
Edited by: Sidney Wolinsky
Additional Still Photographer
Love at Large (1990)
Directed by: Alan Rudolph
Cinematography by: Elliot Davis
Edited by: Lisa Zeno Churgin
Additional Photographer
Weird Science (1985)
Directed by: John Hughes
Cinematography by: Matthew F. Leonetti
Cinematographer
Smooth Talk (1985)
Directed by: Joyce Chopra
Cinematography by: James Glennon
Edited by: Patrick Dodd
Director Of Photography
The Wild Life (1984)
Directed by: Art Linson
Cinematography by: James Glennon
Edited by: Michael Jablow
Cinematographer, First Assistant Camera: USA / Second Assistant Camera: Mexico
El Norte (1983)
Directed by: Gregory Nava
Cinematography by: James Glennon
Edited by: Betsy Blankett Milicevic
Location Director Of Photography
Star Wars: Episode VI - Return of the Jedi (1983)
Directed by: Richard Marquand
Cameras: ARRIFLEX 35 BL3 Camera, ARRIFLEX 35 IIC Camera
Additional Photographer / Camera Operator
Fast Times at Ridgemont High (1982)
Directed by: Amy Heckerling
Cinematography by: Matthew F. Leonetti
Edited by: Eric Jenkins
Cameras: Ultracam 35 Camera
Camera Operator: Los Angeles
Let's Spend the Night Together (1982)
Directed by: Hal Ashby
Edited by: Lisa Day
Camera Operator
Absence of Malice (1981)
Directed by: Sydney Pollack
Cinematography by: Owen Roizman
Edited by: Sheldon Kahn
Camera Operator
Taps (1981)
Directed by: Harold Becker
Cinematography by: Owen Roizman
Edited by: Maury Winetrobe
Cameras: Panavision Cameras
Camera Operator
Altered States (1980)
Directed by: Ken Russell
Cinematography by: Jordan Cronenweth
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Camera Operator
Ordinary People (1980)
Directed by: Robert Redford
Cinematography by: John Bailey
Edited by: Jeff Kanew
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
Camera Operator
The Electric Horseman (1979)
Directed by: Sydney Pollack
Cinematography by: Owen Roizman
Edited by: Sheldon Kahn
First Camera Assistant
The Godfather: Part II (1974)
Directed by: Francis Ford Coppola
Cinematography by: Gordon Willis
Cameras: Mitchell BNCR Camera
