Mauro Fiore

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Southpaw | ShotOnWhat?

Director Of Photography

Southpaw (2015)

Directed by: Antoine Fuqua

Cinematography by: Mauro Fiore

Edited by: John Refoua

Cameras: ARRI ALEXA XT Plus Camera, Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Equalizer | ShotOnWhat?

Director Of Photography

The Equalizer (2014)

Directed by: Antoine Fuqua

Cinematography by: Mauro Fiore

Edited by: John Refoua

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Angenieux Optimo Anamorphic 56-152 mm A2S T4.0 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Runner Runner | ShotOnWhat?

Director Of Photography

Runner Runner (2013)

Directed by: Brad Furman

Cinematography by: Mauro Fiore

Edited by: Jeff McEvoy

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens

Real Steel | ShotOnWhat?

Cinematographer

Real Steel (2011)

Directed by: Shawn Levy

Cinematography by: Mauro Fiore

Edited by: Dean Zimmerman

Cameras: Sony CineAlta F35 Camera

Lenses: Cooke Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

The A-Team | ShotOnWhat?

Director Of Photography

The A-Team (2010)

Directed by: Joe Carnahan

Cinematography by: Mauro Fiore

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Director Of Photography

Avatar (2009)

Directed by: James Cameron

Cinematography by: Mauro Fiore

Edited by: James Cameron, John Refoua, Stephen E. Rivkin

Cameras: Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses: Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

Editing System: Adobe Premiere Editing System, Autodesk Smoke Editing System, Avid Editing System

The Kingdom | ShotOnWhat?

Director Of Photography

The Kingdom (2007)

Directed by: Peter Berg

Cinematography by: Mauro Fiore

Edited by: Colby Parker Jr., Kevin Stitt

Smokin' Aces | ShotOnWhat?

Director Of Photography

Smokin' Aces (2006)

Directed by: Joe Carnahan

Cinematography by: Mauro Fiore

Edited by: Robert Frazen

The Island | ShotOnWhat?

Director Of Photography

The Island (2005)

Directed by: Michael Bay

Cinematography by: Mauro Fiore

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux HR Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Jumbo Girl | ShotOnWhat?

Director Of Photography: Additional Photography

Jumbo Girl (2004)

Directed by: Daniel Curran

Cinematography by: Janusz Kaminski

Edited by: Matt Friedman

Tears of the Sun | ShotOnWhat?

Cinematographer

Tears of the Sun (2003)

Directed by: Antoine Fuqua

Cinematography by: Mauro Fiore

Edited by: Conrad Buff IV, Christopher Holmes

Cameras: Panavision Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Driven | ShotOnWhat?

Director Of Photography

Driven (2001)

Directed by: Renny Harlin

Cinematography by: Mauro Fiore

Edited by: Steve Gilson, Stuart Levy

Training Day | ShotOnWhat?

Director Of Photography

Training Day (2001)

Directed by: Antoine Fuqua

Cinematography by: Mauro Fiore

Edited by: Conrad Buff IV

Cameras: Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Hawk C-Series Lenses

Lost Souls | ShotOnWhat?

Director Of Photography

Lost Souls (2000)

Directed by: Janusz Kaminski

Cinematography by: Mauro Fiore

Edited by: Anne Goursaud, Andrew Mondshein

Get Carter | ShotOnWhat?

Director Of Photography

Get Carter (2000)

Directed by: Stephen Kay

Cinematography by: Mauro Fiore

Edited by: Gerald B. Greenberg

Armageddon | ShotOnWhat?

Director Of Photography: Second Unit

Armageddon (1998)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Mark Goldblatt, Chris Lebenzon, Glen Scantlebury

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Amistad | ShotOnWhat?

Director Of Photography: Second Unit

Amistad (1997)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Platinum Camera

Lenses: Zeiss Super Speed Lenses

The Lost World: Jurassic Park | ShotOnWhat?

Director Of Photography: Second Unit

The Lost World: Jurassic Park (1997)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Rock | ShotOnWhat?

Additional Photographer

The Rock (1996)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Richard Francis-Bruce

Cameras: Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Tall Tale | ShotOnWhat?

Chief Lighting Technician

Tall Tale (1995)

Directed by: Jeremiah S. Chechik

Cinematography by: Janusz Kaminski

Edited by: Richard Chew

Schindler's List | ShotOnWhat?

Gaffer: United States

Schindler's List (1993)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 535 B Camera, ARRIFLEX 535 Camera

Editing System: Moviola Editing System

Love, Cheat & Steal | ShotOnWhat?

Director Of Photography: Additional Photography

Love, Cheat & Steal (1993)

Directed by: William Curran

Cinematography by: Kent L. Wakeford

Edited by: Carole Kravetz Aykanian

One False Move | ShotOnWhat?

Gaffer: Second Unit

One False Move (1992)

Directed by: Carl Franklin

Cinematography by: James L. Carter

Edited by: Carole Kravetz Aykanian

Poison Ivy | ShotOnWhat?

Gaffer: Additional Photography

Poison Ivy (1992)

Directed by: Katt Shea

Cinematography by: Phedon Papamichael

Edited by: Gina Mittelman

Wildflower | ShotOnWhat?

Gaffer

Wildflower (1991)

Television Movie

Directed by: Diane Keaton

Cinematography by: Janusz Kaminski

Edited by: Stephen E. Rivkin

After Midnight | ShotOnWhat?

Key Grip

After Midnight (1989)

Directed by: Jim Wheat, Ken Wheat

Cinematography by: Phedon Papamichael

Edited by: Cari Coughlin, Phillip Linson, Quinnie Martin Jr.

Cameras: ARRIFLEX Camera

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