Mike Hill

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Rush | ShotOnWhat?

Editor

Rush (2013)

Directed by: Ron Howard

Cinematography by: Anthony Dod Mantle

Edited by: Daniel P. Hanley, Mike Hill

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C300 Camera, GoPro HD Hero3 Camera, indieGS2K Camera, indiePOV Camera, Phantom Flex Camera, Red Epic Camera

Lenses: Angenieux Lenses, ARRI / Zeiss Lenses, Bausch & Lomb Lenses, Canon Lenses, Cooke Lenses, Cooke Speed Panchro Lenses, Kowa Lenses, Schneider Lenses, Zeiss Master Prime Lenses

The Dilemma | ShotOnWhat?

Editor

The Dilemma (2011)

Directed by: Ron Howard

Cinematography by: Salvatore Totino

Edited by: Daniel P. Hanley, Mike Hill

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Frost/Nixon | ShotOnWhat?

Editor

Frost/Nixon (2008)

Directed by: Ron Howard

Cinematography by: Salvatore Totino

Edited by: Daniel P. Hanley, Mike Hill, Robert Komatsu

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses, Cooke Varotal Lenses

Editing System: Avid Editing System

The Da Vinci Code | ShotOnWhat?

Editor

The Da Vinci Code (2006)

Directed by: Ron Howard

Cinematography by: Salvatore Totino

Edited by: Daniel P. Hanley, Mike Hill

Cinderella Man | ShotOnWhat?

Editor

Cinderella Man (2005)

Directed by: Ron Howard

Cinematography by: Salvatore Totino

Edited by: Daniel P. Hanley, Mike Hill

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Canon Scoopic 16 / 16M Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

A Beautiful Mind | ShotOnWhat?

Editor

A Beautiful Mind (2001)

Directed by: Ron Howard

Cinematography by: Roger Deakins

Edited by: Daniel P. Hanley, Mike Hill

Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera

Lenses: Cooke S4 Lenses, Zeiss Standard Speed Prime Lenses, Zeiss Super Speed Lenses

Editing System: Avid Editing System

How the Grinch Stole Christmas | ShotOnWhat?

Editor

How the Grinch Stole Christmas (2000)

Directed by: Ron Howard

Cinematography by: Donald Peterman

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision SL10 10 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL35-CF 35 mm T1.8 Lens

Edtv | ShotOnWhat?

Editor

Edtv (1999)

Directed by: Ron Howard

Cinematography by: John Schwartzman

Edited by: Daniel P. Hanley, Mike Hill

Ransom | ShotOnWhat?

Editor

Ransom (1996)

Directed by: Ron Howard

Cinematography by: Piotr Sobocinski

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Apollo 13 | ShotOnWhat?

Editor

Apollo 13 (1995)

Directed by: Ron Howard

Cinematography by: Dean Cundey

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses: Panavision Primo Primes Spherical Lenses

The Paper | ShotOnWhat?

Editor

The Paper (1994)

Directed by: Ron Howard

Cinematography by: John Seale

Edited by: Daniel P. Hanley, Mike Hill

Far and Away | ShotOnWhat?

Editor

Far and Away (1992)

Directed by: Ron Howard

Cinematography by: Mikael Salomon

Edited by: Daniel P. Hanley, Mike Hill

Cameras: ARRIFLEX 765 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision 65mm Prime Lenses, Zeiss Lenses

Backdraft | ShotOnWhat?

Editor

Backdraft (1991)

Directed by: Ron Howard

Cinematography by: Mikael Salomon

Edited by: Daniel P. Hanley, Mike Hill

Problem Child | ShotOnWhat?

Editor

Problem Child (1990)

Directed by: Dennis Dugan

Cinematography by: Peter Lyons Collister

Edited by: Tom Finan, Daniel P. Hanley, Mike Hill

Pet Sematary | ShotOnWhat?

Editor

Pet Sematary (1989)

Directed by: Mary Lambert

Cinematography by: Peter Stein

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Cameras

Parenthood | ShotOnWhat?

Editor

Parenthood (1989)

Directed by: Ron Howard

Cinematography by: Donald McAlpine

Edited by: Daniel P. Hanley, Mike Hill

Willow | ShotOnWhat?

Editor

Willow (1988)

Directed by: Ron Howard

Cinematography by: Adrian Biddle

Edited by: Daniel P. Hanley, Mike Hill, Richard Hiscott

Cameras: Panavision Panaflex Gold Camera

Lenses: Cooke Lenses, Panavision C Series Anamorphic Lenses

Armed and Dangerous | ShotOnWhat?

Editor

Armed and Dangerous (1986)

Directed by: Mark L. Lester

Cinematography by: Fred Schuler

Edited by: Daniel P. Hanley, Mike Hill, Gregory Prange

Cocoon | ShotOnWhat?

Editor

Cocoon (1985)

Directed by: Ron Howard

Cinematography by: Donald Peterman

Edited by: Daniel P. Hanley, Mike Hill

Splash | ShotOnWhat?

Editor

Splash (1984)

Directed by: Ron Howard

Cinematography by: Donald Peterman

Edited by: Daniel P. Hanley, Mike Hill

Night Shift | ShotOnWhat?

Editor

Night Shift (1982)

Directed by: Ron Howard

Cinematography by: James Crabe

Edited by: Daniel P. Hanley, Mike Hill, Robert James Kern

Cameras: Panavision Cameras

Sunnyside | ShotOnWhat?

Assistant Editor

Sunnyside (1979)

Directed by: Timothy Galfas

Cinematography by: Gary Graver

Edited by: Herbert H. Dow

Editing System: Moviola Editing System

Bound for Glory | ShotOnWhat?

Apprentice Editor

Bound for Glory (1976)

Directed by: Hal Ashby

Cinematography by: Haskell Wexler

Edited by: Pembroke J. Herring, Robert C. Jones

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