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Matte Painter
Fantastic Beasts and Where to Find Them (2016)
Directed by: David Yates
Cinematography by: Philippe Rousselot
Edited by: Mark Day
Cameras: ARRI ALEXA XT Camera
Matte Painter
The Nice Guys (2016)
Directed by: Shane Black
Cinematography by: Philippe Rousselot
Edited by: Joel Negron
Cameras: ARRI ALEXA XT Camera
Matte Painter/concept Artist
Captain America: Civil War (2016)
Cinematography by: Trent Opaloch
Matte Painter: Nvizible
Kingsman: The Secret Service (2014)
Directed by: Matthew Vaughn
Cinematography by: George Richmond
Editing System: Avid Editing System
Matte Painter: Nvizible
Pride (2014)
Directed by: Matthew Warchus
Cinematography by: Tat Radcliffe
Edited by: Melanie Oliver
Editing System: Avid Editing System
Matte Painting And Environmental Artist: Pixomondo
Hugo (2011)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Camera
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Director, Executive Producer, Matte Painter , Screenplay, Story, Storyboard Artist
The Devil's Rock (2011)
Directed by: Paul Campion
Cinematography by: Rob Marsh
Edited by: Jeff Hurrell
Concept Artist: MPC
Percy Jackson & the Olympians: The Lightning Thief (2010)
Directed by: Chris Columbus
Cinematography by: Stephen Goldblatt
Edited by: Peter Honess
Concept Artist: MPC
Clash of the Titans (2010)
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Concept Artist: MPC
The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)
Directed by: Michael Apted
Cinematography by: Dante Spinotti
Edited by: Rick Shaine
Cameras: Sony CineAlta F23 Camera
Editing System: Avid Editing System
Concept Artist: MPC
Dorian Gray (2009)
Directed by: Oliver Parker
Cinematography by: Roger Pratt
Edited by: Guy Bensley
Lenses: Angenieux Lenses, Cooke S4 Lenses
Texture Painter: Weta Digital
The Chronicles of Narnia: Prince Caspian (2008)
Directed by: Andrew Adamson
Cinematography by: Karl Walter Lindenlaub
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses: Zeiss Master Prime Lenses
Lead Texture Painter: Weta Digital
The Water Horse (2007)
Directed by: Jay Russell
Cinematography by: Oliver Stapleton
Edited by: Mark Warner
Texture Painter
30 Days of Night (2007)
Directed by: David Slade
Cinematography by: Jo Willems
Edited by: Art Jones
Textures Team: Weta Digital
Fantastic Four: Rise of the Silver Surfer (2007)
Directed by: Tim Story
Cinematography by: Larry Blanford
Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras
Editing System: Avid Editing System, Sony Vegas Editing System
Visual Effects Concept Artist: Weta Digital
X-Men: The Last Stand (2006)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Texture Painter: Weta Digital
Eragon (2006)
Directed by: Stefen Fangmeier
Cinematography by: Hugh Johnson
Texture Painter: Weta Digital
Night at the Museum (2006)
Directed by: Shawn Levy
Cinematography by: Guillermo Navarro
Edited by: Don Zimmerman
Matte Painter: The Orphanage
Sin City (2005)
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: Sony HDC-F950 Camera, Sony Other Camera
Editing System: Avid Editing System
Digital Painter: Tippett Studio
Constantine (2005)
Directed by: Francis Lawrence
Cinematography by: Philippe Rousselot
Edited by: Wayne Wahrman
Lead Texture Painter: Weta Digital
The Lord of the Rings: The Return of the King (2003)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jamie Selkirk
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera
Editing System: Avid Editing System
Texture Painter: Weta Digital
The Lord of the Rings: The Two Towers (2002)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Michael Horton
Lenses: Angenieux Lenses, Zeiss Ultra Prime Lenses
Texture Painter: Weta Digital
The Lord of the Rings: The Fellowship of the Ring (2001)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: John Gilbert
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
