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Visual Effects Supervisor
'Ray Donovan' Pudge (2018)
Directed by: Tucker Gates
Cinematography by: David Franco
Edited by: John Axness
Visual Effects Supervisor
'Ray Donovan' Ellis Island (2018)
Directed by: Robert McLachlan
Edited by: Harvey Rosenstock
Visual Effects Supervisor
'Ray Donovan' Staten Island: Part 1 (2018)
Directed by: Allen Coulter
Cinematography by: Robert McLachlan
Edited by: John Axness
Visual Effects Supervisor
'Ray Donovan' Staten Island: Part 2 (2018)
Directed by: Allen Coulter
Cinematography by: Robert McLachlan
Edited by: Harvey Rosenstock
Visual Effects Supervisor
'Ray Donovan' He Be Tight. He Be Mean. (2018)
Directed by: Tucker Gates
Cinematography by: David Franco
Edited by: Susan Godfrey
Visual Effects Supervisor
BlacKkKlansman (2018)
Directed by: Spike Lee
Cinematography by: Chayse Irvin
Edited by: Barry Alexander Brown
Title Designer - Segment "The Ballad Of Buster Scruggs"
The Ballad of Buster Scruggs (2018)
Cinematography by: Bruno Delbonnel
Title Designer
I, Tonya (2017)
Directed by: Craig Gillespie
Cinematography by: Nicolas Karakatsanis
Edited by: Tatiana S. Riegel
Lenses: Leitz Summilux-C Series Lenses
Titles By: Big Film Design
Hail, Caesar! (2016)
Cinematography by: Roger Deakins
Lenses: Zeiss Master Prime Lenses
Editing System: Adobe Premiere Editing System
Title Designer
Barbershop: The Next Cut (2016)
Directed by: Malcolm D. Lee
Cinematography by: Greg Gardiner
Edited by: Paul Millspaugh
Cameras: Sony PMW-F55 Camera
Title Designer
Paterson (2016)
Directed by: Jim Jarmusch
Cinematography by: Frederick Elmes
Edited by: Affonso Gonçalves
Title Designer: Main
'Royal Pains' Stranger Danger (2016)
Directed by: Jay Chandrasekhar
Cinematography by: Joe Collins
Edited by: Daniel A. Valverde
Title Designer: Main
'Royal Pains' Palpating the Orbital Rim (2016)
Directed by: Brendan Walsh
Cinematography by: Joe Collins
Edited by: Charles McClelland
Title Designer: Main
'Royal Pains' Fly Me to Kowloon (2016)
Directed by: Mark Feuerstein
Cinematography by: Joe Collins
Edited by: Robert Nassau
Title Designer: Main
'Royal Pains' Doubt of Africa (2016)
Directed by: Janice Cooke
Cinematography by: Joe Collins
Edited by: Michael Berenbaum
Title Designer: Main
'Royal Pains' Saab Story (2016)
Directed by: Michael Rauch
Cinematography by: Joe Collins
Edited by: Daniel A. Valverde
Title Designer: Main
'Royal Pains' Home Sick (2016)
Directed by: Charles McClelland
Cinematography by: Joe Collins
Edited by: Matthew S. Nickelson
Title Designer: Main
'Royal Pains' The Good News Is... (2016)
Directed by: Michael Rauch
Cinematography by: Joe Collins
Edited by: Charles McClelland
Title Designer: Main
'Royal Pains' Uninterrupted (2016)
Directed by: Michael Rauch
Cinematography by: Joe Collins
Edited by: Charles McClelland
Title Designer
Spotlight (2015)
Directed by: Tom McCarthy
Cinematography by: Masanobu Takayanagi
Edited by: Tom McArdle
Cameras: ARRI ALEXA XT Camera
Title Designer: Main
'Royal Pains' Rebound (2015)
Directed by: Constantine Makris
Edited by: Daniel A. Valverde
Title Designer: Main
'Royal Pains' Playing Doctor (2015)
Directed by: Emile B. Levisetti
Cinematography by: Joe Collins
Edited by: Gary Levy
Title Designer: Main
'Royal Pains' The Prince of Nucleotides (2015)
Directed by: Michael B. Silver
Cinematography by: Joe Collins
Edited by: Charles McClelland
Title Designer: Main
'Royal Pains' Voices Carry (2015)
Directed by: Paulo Costanzo
Cinematography by: Joe Collins
Edited by: Daniel A. Valverde
Title Designer: Main
'Royal Pains' Lama Trauma (2015)
Directed by: Lara Shapiro
Cinematography by: Joe Collins
Title Designer: Main
'Royal Pains' Lending a Shoulder (2015)
Directed by: Jay Chandrasekhar
Cinematography by: Joe Collins
Edited by: Gary Levy
Title Designer
Winter's Tale (2014)
Directed by: Akiva Goldsman
Cinematography by: Caleb Deschanel
Cameras: ARRI ALEXA Plus 4:3 Camera
Title Designer
The Giver (2014)
Directed by: Phillip Noyce
Cinematography by: Ross Emery
Edited by: Barry Alexander Brown
Cameras: ARRI ALEXA XT Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Title Designer
Foxcatcher (2014)
Directed by: Bennett Miller
Cinematography by: Greig Fraser
Editing System: Avid Editing System
Title Designer
Let's Be Cops (2014)
Directed by: Luke Greenfield
Cinematography by: Daryn Okada
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Visual Effects Supervisor
St. Vincent (2014)
Directed by: Theodore Melfi
Cinematography by: John Lindley
Editing System: Avid Editing System
Title Designer
The Drop (2014)
Directed by: Michaël R. Roskam
Cinematography by: Nicolas Karakatsanis
Edited by: Christopher Tellefsen
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Lenses: Leitz Summilux-C Series Lenses
Title Designer
Rosewater (2014)
Directed by: Jon Stewart
Cinematography by: Bobby Bukowski
Edited by: Jay Rabinowitz
Cameras: ARRI ALEXA Plus Camera
Title Designer
Top Five (2014)
Directed by: Chris Rock
Cinematography by: Manuel Alberto Claro
Edited by: Anne McCabe
Title Designer
The Cobbler (2014)
Directed by: Tom McCarthy
Cinematography by: W. Mott Hupfel III
Edited by: Tom McArdle
Cameras: ARRI ALEXA Plus Camera
Title Designer: Main
'Royal Pains' All in the Family (2014)
Directed by: Matthew Penn
Cinematography by: Joe Collins
Edited by: Daniel A. Valverde
Title Designer: Main
'Royal Pains' Ganging Up (2014)
Directed by: Michael Rauch
Cinematography by: Joe Collins
Edited by: Charles McClelland
Title Designer: Big Film Design/Cinetitle
The Wolf of Wall Street (2013)
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 135 mm T3.0 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens, Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Titles Designer: Big Film Design
Inside Llewyn Davis (2013)
Cinematography by: Bruno Delbonnel
Cameras: ARRICAM Lite (LT) Camera
Editing System: Adobe Premiere Editing System, Final Cut Pro Editing System
Visual Effects Supervisor - 5 Episodes, 2018
Ray Donovan (2013)
Directed by: John Dahl, Michael Uppendahl, Tucker Gates, David Hollander, Allen Coulter, Daniel Attias, Colin Bucksey, Guy Ferland, Michael Apted, Lesli Linka Glatter, Phil Abraham, Liev Schreiber, Robert McLachlan, Daisy von Scherler Mayer, Stephen Williams, Zetna Fuentes, Daniel Minahan, Jeremy Podeswa, Greg Yaitanes, Ed Bianchi, Tricia Brock, James Whitmore Jr., Carl Franklin, Denise Di Novi, Tarik Saleh, Joshua Marston
Cinematography by: Robert McLachlan, Matthew Jensen, Loren S. Yaconelli, Roy H. Wagner, David Franco, Tim Nagasawa, Dan Stoloff
Edited by: Lynne Willingham, Harvey Rosenstock, John Axness, Peter B. Ellis, Sidney Wolinsky, Tanya M. Swerling, Susan Godfrey, Amy Colla, Garret Donnelly, John Duffy, Miriam Kim
Cameras: ARRI ALEXA Camera
Lenses: Leitz Summilux-C Series Lenses
Title Designer: Main
'Royal Pains' HankWatch (2013)
Directed by: Emile B. Levisetti
Cinematography by: Joe Collins
Edited by: Gary Levy
Title Designer: Main
'Royal Pains' Blythe Spirits (2013)
Directed by: Constantine Makris
Cinematography by: Joe Collins
Edited by: Daniel A. Valverde
Title Designer: Main
'Royal Pains' Lawson Translation (2013)
Directed by: Emile B. Levisetti
Cinematography by: Joe Collins
Edited by: Marnee Meyer
Title Designer: Main
'Royal Pains' Pregnant Paws (2013)
Directed by: Ken Whittingham
Cinematography by: Joe Collins
Edited by: Charles McClelland
Title Designer: Main
'Royal Pains' Vertigo (2013)
Directed by: Michael W. Watkins
Cinematography by: Joe Collins
Edited by: Gary Levy
Title Designer: Main
'Royal Pains' Can of Worms (2013)
Directed by: Jay Chandrasekhar
Cinematography by: Joe Collins
Edited by: Daniel A. Valverde
Title Designer: Main
'Royal Pains' Chock Full O' Nuts (2013)
Directed by: Mark Feuerstein
Cinematography by: Joe Collins
Edited by: Charles McClelland
Title Designer: Main
'Royal Pains' Hammertime (2013)
Directed by: Allison Liddi-Brown
Cinematography by: Joe Collins
Edited by: Gary Levy
Title Designer: Main
'Royal Pains' Pins and Needles (2013)
Directed by: Ed Fraiman
Cinematography by: Joe Collins
Edited by: Daniel A. Valverde
Title Designer: Main
'Royal Pains' Game of Phones (2013)
Directed by: Matthew Penn
Edited by: Charles McClelland
Title Designer: Main
'Royal Pains' Open Invitation (2013)
Directed by: Joe Collins
Cinematography by: Michael Caracciolo
Edited by: Gary Levy
Title Designer: Main
'Royal Pains' A Trismus Story (2013)
Directed by: Tawnia McKiernan
Cinematography by: Joe Collins
Edited by: Daniel A. Valverde
Title Designer: Main
'Royal Pains' Bones to Pick (2013)
Directed by: Michael Rauch
Cinematography by: Joe Collins
Edited by: Charles McClelland
Title Designer
Red Hook Summer (2012)
Directed by: Spike Lee
Cinematography by: Kerwin DeVonish
Edited by: Hye Mee Na
Cameras: Sony PMW-F3 Camera
Title Designer: Main Title Sequence
A Late Quartet (2012)
Directed by: Yaron Zilberman
Cinematography by: Frederick Elmes
Edited by: Yuval Shar
Main Title Design
'Royal Pains' A Farewell to Barnes (2012)
Directed by: Michael Rauch
Cinematography by: Joe Collins
Edited by: Charles McClelland
Main Title Design
'Royal Pains' Some Pig (2012)
Directed by: Michael W. Watkins
Cinematography by: Joe Collins
Edited by: Gary Levy
Main Title Design
'Royal Pains' My Back to the Future (2012)
Directed by: Mark Feuerstein
Cinematography by: Joe Collins
Edited by: Daniel A. Valverde
Main Title Design
'Royal Pains' Bottoms Up (2012)
Directed by: Tricia Brock
Cinematography by: Joe Collins
Edited by: Charles McClelland
Main Title Design
'Royal Pains' Hank and the Deep Blue Sea (2012)
Directed by: Jay Chandrasekhar
Cinematography by: Joe Collins
Edited by: Thom Zimny
Title Designer: Main
'Royal Pains' Imperfect Storm (2012)
Directed by: Emile B. Levisetti
Cinematography by: Joe Collins
Title Designer: Main
'Royal Pains' A Guesthouse Divided (2012)
Directed by: Jay Chandrasekhar
Cinematography by: Joe Collins
Edited by: Gary Levy
Title Designer: Main
'Royal Pains' Dawn of the Med (2012)
Directed by: Michael W. Watkins
Cinematography by: Joe Collins
Edited by: Daniel A. Valverde
Title Designer: Main
'Royal Pains' You Give Love a Bad Name (2012)
Directed by: Michael Rauch
Cinematography by: Joe Collins
Edited by: Charles McClelland
Title Designer: Main
'Royal Pains' About Face (2012)
Directed by: Matthew Penn
Cinematography by: Joe Collins
Edited by: Gary Levy
Title Designer: Main
'Royal Pains' Fools Russian (2012)
Directed by: Allison Liddi-Brown
Cinematography by: Joe Collins
Edited by: Daniel A. Valverde
Title Designer
'Royal Pains' Manimal (2012)
Directed by: Mark Feuerstein
Cinematography by: Joe Collins
Edited by: Charles McClelland
Title Designer: Main
'Royal Pains' Business & Pleasure (2012)
Directed by: Constantine Makris
Cinematography by: Joe Collins
Edited by: Gary Levy
Title Designer: Main Title
'Royal Pains' Who's Your Daddy (2012)
Directed by: Michael W. Watkins
Cinematography by: Joe Collins
Title Designer: Main
'Royal Pains' Dancing with the Devil (2012)
Directed by: Paulo Costanzo
Cinematography by: Joe Collins
Edited by: Charles McClelland
Title Designer: Main
'Royal Pains' Hurts Like a Mother (2012)
Directed by: Tawnia McKiernan
Cinematography by: Joe Collins
Edited by: Gary Levy
Title Designer: Main
'Royal Pains' Something Fishy This Way Comes (2012)
Directed by: Janice Cooke
Cinematography by: Joe Collins
Edited by: Daniel A. Valverde
Title Designer: Main
'Royal Pains' Sand Legs (2012)
Directed by: Emile B. Levisetti
Cinematography by: Joe Collins
Edited by: Gary Levy
Title Designer: Main
'Royal Pains' Off-Season Greetings: Part 1 (2012)
Directed by: Michael Rauch
Cinematography by: Joe Collins
Edited by: Charles McClelland
Title Designer: Main
'Royal Pains' Off-Season Greetings: Part 2 (2012)
Directed by: Michael Rauch
Cinematography by: Joe Collins
Edited by: Charles McClelland
Visual Effects Supervisor
'White Collar' Pulling Strings (2012)
Directed by: Anton Cropper
Cinematography by: Russell Lee Fine
Edited by: Jonathan Chibnall
Visual Effects Supervisor: Big Film Design
The Adjustment Bureau (2011)
Directed by: George Nolfi
Cinematography by: John Toll
Edited by: Jay Rabinowitz
Visual Effects Supervisor: Big Film Design
Tower Heist (2011)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Title Designer: Big Film Design
Rampart (2011)
Directed by: Oren Moverman
Cinematography by: Bobby Bukowski
Edited by: Jay Rabinowitz
Cameras: ARRI ALEXA Camera
Title Designer: Big Film Design
Hugo (2011)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Camera
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Title Designer: Main Title
'Royal Pains' Mulligan (2011)
Directed by: Michael Rauch
Cinematography by: David S. Tuttman
Edited by: Charles McClelland
Title Designer: Main Title
'Royal Pains' Pit Stop (2011)
Directed by: Matthew Penn
Cinematography by: David S. Tuttman
Title Designer: Main Title
'Royal Pains' A History of Violins (2011)
Directed by: Dennie Gordon
Cinematography by: David S. Tuttman
Edited by: Deborah Moran
Title Designer: Main Title
'Royal Pains' Astraphobia (2011)
Directed by: Ed Fraiman
Cinematography by: David S. Tuttman
Edited by: Jeffrey Wolf
Title Designer: Main Title
'Royal Pains' Fight or Flight (2011)
Directed by: Michael Rauch
Cinematography by: David S. Tuttman
Edited by: Charles McClelland
Title Designer: Main Title
'Royal Pains' Listen to the Music (2011)
Directed by: Constantine Makris
Cinematography by: David S. Tuttman
Main Title Design
'Royal Pains' Traffic (2011)
Directed by: Constantine Makris
Cinematography by: Joe Collins
Edited by: Charles McClelland
Main Title Design
'Royal Pains' But There's a Catch (2011)
Directed by: Michael W. Watkins
Cinematography by: Joe Collins
Edited by: Gary Levy
Main Title Design
'Royal Pains' Rash Talk (2011)
Directed by: Michael Rauch
Cinematography by: Joe Collins
Edited by: Charles McClelland
Main Title Design
'Royal Pains' The Shaw/Hank Redemption (2011)
Directed by: Matthew Penn
Cinematography by: Joe Collins
Edited by: Daniel A. Valverde
Main Title Design
'Royal Pains' A Man Called Grandpa (2011)
Directed by: Matthew Penn
Cinematography by: Joe Collins
Edited by: Daniel A. Valverde
Main Title Design
'Royal Pains' An Apple a Day (2011)
Directed by: Don Scardino
Cinematography by: Joe Collins
Edited by: Gary Levy
Main Title Design
'Royal Pains' Ta Da For (2011)
Directed by: Ed Fraiman
Cinematography by: Joe Collins
Edited by: Charles McClelland
Main Title Design
'Royal Pains' Run, Hank, Run (2011)
Directed by: Emile B. Levisetti
Cinematography by: Joe Collins
Main Title Design
'Royal Pains' Me First (2011)
Directed by: Allison Liddi-Brown
Cinematography by: Joe Collins
Edited by: Gary Levy
Main Title Design
'Royal Pains' A Little Art, a Little Science (2011)
Directed by: Matthew Penn
Cinematography by: Joe Collins
Edited by: Daniel A. Valverde
Visual Effects Supervisor
'White Collar' Where There's a Will (2011)
Directed by: Sanford Bookstaver
Cinematography by: Russell Lee Fine
Edited by: Doug Hannah
Visual Effects Supervisor
'White Collar' Taking Account (2011)
Directed by: Michael Smith
Cinematography by: Russell Lee Fine
Edited by: Jonathan Chibnall
Visual Effects Supervisor
'White Collar' As You Were (2011)
Directed by: David Straiton
Cinematography by: Russell Lee Fine
Edited by: Doug Hannah
Visual Effects Supervisor
'White Collar' Countdown (2011)
Directed by: John T. Kretchmer
Cinematography by: Russell Lee Fine
Edited by: Doug Hannah
Title Designer
Shutter Island (2010)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX 765 Camera, ARRIFLEX D-21 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Editing System: Lightworks Editing System
Title Designer
True Grit (2010)
Cinematography by: Roger Deakins
Lenses: Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System
Additional Second Unit Director
Dear John (2010)
Directed by: Lasse Hallström
Cinematography by: Terry Stacey
Edited by: Kristina Boden
Cameras: Panavision Panaflex Platinum Camera
Title Designer
Letters to Juliet (2010)
Directed by: Gary Winick
Cinematography by: Marco Pontecorvo
Edited by: Bill Pankow
Title Designer: Main Title
'Royal Pains' Lovesick (2010)
Directed by: Allison Liddi-Brown
Cinematography by: David S. Tuttman
Edited by: Daniel A. Valverde
Title Designer: Main Title
'Royal Pains' Keeping the Faith (2010)
Directed by: Dennis Smith
Cinematography by: David S. Tuttman
Edited by: Charles McClelland
Title Designer: Main Title
'Royal Pains' Medusa (2010)
Directed by: Matthew Penn
Cinematography by: David S. Tuttman
Edited by: Charles McClelland
Title Designer: Main Title
'Royal Pains' Mano a Mano (2010)
Directed by: Matthew Penn
Cinematography by: David S. Tuttman
Edited by: Charles McClelland
Title Designer: Main Title
'Royal Pains' In Vino Veritas (2010)
Directed by: Michael W. Watkins
Cinematography by: David S. Tuttman
Edited by: Deborah Moran
Title Designer: Main Title
'Royal Pains' Comfort's Overrated (2010)
Directed by: Ed Fraiman
Cinematography by: David S. Tuttman
Edited by: Daniel A. Valverde
Title Designer: Main Title
'Royal Pains' The Hankover (2010)
Directed by: Jay Chandrasekhar
Cinematography by: David S. Tuttman
Edited by: Charles McClelland
Title Designer: Main Title
'Royal Pains' Frenemies (2010)
Directed by: Wendey Stanzler
Cinematography by: David S. Tuttman
Edited by: Elizabeth Merrick
Title Designer: Main Title
'Royal Pains' Whole Lotto Love (2010)
Directed by: Tawnia McKiernan
Cinematography by: David S. Tuttman
Edited by: Daniel A. Valverde
Title Designer
'Royal Pains' Big Whoop (2010)
Directed by: Michael W. Watkins
Cinematography by: David S. Tuttman
Edited by: Charles McClelland
Title Designer: Main Title
'Royal Pains' Open Up Your Yenta Mouth and Say Ah (2010)
Directed by: Ken Whittingham
Cinematography by: David S. Tuttman
Edited by: Deborah Moran
Title Designer: Main Title
'Royal Pains' Spasticity (2010)
Directed by: Constantine Makris
Cinematography by: David S. Tuttman
Edited by: Deborah Moran
Title Designer: Big Film Design
A Serious Man (2009)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 B Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System
Visual Effects Supervisor: Big Film Design
Whatever Works (2009)
Directed by: Woody Allen
Cinematography by: Harris Savides
Edited by: Alisa Lepselter
Title Designer
The Limits of Control (2009)
Directed by: Jim Jarmusch
Cinematography by: Christopher Doyle
Edited by: Jay Rabinowitz
Second Unit Director
'30 Rock' Flu Shot (2009)
Directed by: Don Scardino
Cinematography by: Matthew Clark
Edited by: Meg Reticker
Title Designer: Main / Title Designer: Main Title / Main Title Design / Title Designer - 88 Episodes, 2009-2016
Royal Pains (2009)
Directed by: Michael Rauch, Matthew Penn, Jay Chandrasekhar, Emile B. Levisetti, Constantine Makris, Michael W. Watkins, Ed Fraiman, Mark Feuerstein, Allison Liddi-Brown, Don Scardino, Jace Alexander, Tawnia McKiernan, Janice Cooke, Paulo Costanzo, Joe Collins, Dennie Gordon, Ken Whittingham, Charles McClelland, Ken Girotti, Bronwen Hughes, Eric Laneuville, Dennis Smith, Wendey Stanzler, Tricia Brock, Kevin Dowling, Lara Shapiro, Michael B. Silver, Brendan Walsh
Cinematography by: Joe Collins, David S. Tuttman, Jim Denault, Michael Slovis, David M. Dunlap, Michael Caracciolo, Raphy Molinary
Edited by: Charles McClelland, Daniel A. Valverde, Gary Levy, Deborah Moran, Marnee Meyer, Arge O'Neal, Nancy Morrison, Gregory Perler, Matthew S. Nickelson, Michael Berenbaum, Elizabeth Merrick, Jeffrey Wolf, Thom Zimny, Robert Nassau
Cameras: Sony CineAlta F35 Camera
Lenses: Panavision Lenses
Title Designer
'Royal Pains' There Will Be Food (2009)
Directed by: Don Scardino
Cinematography by: Michael Slovis
Edited by: Gregory Perler
Title Designer
'Royal Pains' Strategic Planning (2009)
Directed by: Jace Alexander
Cinematography by: Michael Slovis
Edited by: Arge O'Neal
Title Designer
'Royal Pains' TB or Not TB (2009)
Directed by: Constantine Makris
Cinematography by: Michael Slovis
Edited by: Nancy Morrison
Title Designer
'Royal Pains' No Man Is an Island (2009)
Directed by: Don Scardino
Cinematography by: Michael Slovis
Edited by: Arge O'Neal
Title Designer
'Royal Pains' The Honeymoon's Over (2009)
Directed by: Eric Laneuville
Cinematography by: Jim Denault
Edited by: Arge O'Neal
Title Designer
'Royal Pains' It's Like Jamais Vu All Over Again (2009)
Directed by: Michael W. Watkins
Cinematography by: Jim Denault
Edited by: Gregory Perler
Title Designer
'Royal Pains' Am I Blue? (2009)
Directed by: Jay Chandrasekhar
Cinematography by: Jim Denault
Edited by: Nancy Morrison
Title Designer
'Royal Pains' Nobody's Perfect (2009)
Directed by: Ken Girotti
Cinematography by: Jim Denault
Edited by: Arge O'Neal
Title Designer
'Royal Pains' Wonderland (2009)
Directed by: Jace Alexander
Cinematography by: Jim Denault
Edited by: Charles McClelland
Visual Effects Supervisor - 5 Episodes, 2011-2012
White Collar (2009)
Directed by: John T. Kretchmer, Russell Lee Fine, Paul Holahan, Michael Smith, Sanford Bookstaver, Kevin Bray, Dennie Gordon, David Straiton, Jeff King, Tim DeKay, Tricia Brock, Anton Cropper, Stefan Schwartz, Allan Arkush, Timothy Busfield, Bronwen Hughes, Phil Abraham, Ken Girotti, Tim Matheson, Vincent Misiano, Rosemary Rodriguez, Renny Harlin, Andrew McCarthy, Robert Duncan McNeill, Arlene Sanford, Willie Garson, Roger Kumble, Charlotte Sieling, Eric Stoltz, Doug Hannah, Martha Mitchell
Edited by: Doug Hannah, Jonathan Chibnall, Tom Wilson, Michael Schweitzer, Justin Krohn, Tammis Chandler, Hibah Schweitzer, Jon Dudkowski, Kimberly Ray, Russell Denove, Joel T. Pashby, Jordan Goldman, Michael Stern, Nicholas Erasmus, Kevin Krasny
Cameras: Sony CineAlta F35 Camera
Title Designer: Big Film Design, Visual Effects Designer: Big Film Design
Vicky Cristina Barcelona (2008)
Directed by: Woody Allen
Cinematography by: Javier Aguirresarobe
Edited by: Alisa Lepselter
Cameras: ARRICAM Lite (LT) Camera
Lenses: Zeiss Master Prime Lenses
Title Designer
Frozen River (2008)
Directed by: Courtney Hunt
Cinematography by: Reed Morano
Edited by: Kate Williams
Cameras: Panasonic AJ-HDC27 Varicam Camera
Lenses: Zeiss DigiPrime Lenses
Director, Provider: Still Photographs
New York, I Love You (2008)
Directed by: Fatih Akin, Yvan Attal, Randall Balsmeyer, Allen Hughes, Shunji Iwai, Wen Jiang, Shekhar Kapur, Joshua Marston, Mira Nair, Natalie Portman, Brett Ratner
Cinematography by: Jean-Louis Bompoint, Benoît Debie, Pawel Edelman, Ping Bin Lee, Michael McDonough, Andrij Parekh, Declan Quinn, Mauricio Rubinstein
Visual Effects Supervisor
Revolutionary Road (2008)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Tariq Anwar
Lenses: Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Visual Effects Supervisor
Sex and the City (2008)
Directed by: Michael Patrick King
Cinematography by: John Thomas
Edited by: Michael Berenbaum
Visual Effects Supervisor: Big Film Design
Pride and Glory (2008)
Directed by: Gavin O'Connor
Cinematography by: Declan Quinn
Visual Effects Supervisor: Big Film Design
Burn After Reading (2008)
Cinematography by: Emmanuel Lubezki
Cameras: ARRICAM Lite (LT) Camera
Editing System: Final Cut Pro Editing System
Visual Effects Supervisor: Big Film Design
Doubt (2008)
Directed by: John Patrick Shanley
Cinematography by: Roger Deakins
Edited by: Dylan Tichenor
Cameras: ARRIFLEX 535 B Camera
Lenses: Zeiss Master Prime Lenses
Visual Effects Designer: Big Film Design
My Blueberry Nights (2007)
Directed by: Kar-Wai Wong
Edited by: William Chang
Title Designer: Big Film Design
The Savages (2007)
Directed by: Tamara Jenkins
Cinematography by: W. Mott Hupfel III
Edited by: Brian A. Kates
Cameras: ARRICAM Lite (LT) Camera
Lenses: Cooke S4 Lenses
Title Designer: Big Film Design
Charlie Wilson's War (2007)
Directed by: Mike Nichols
Cinematography by: Stephen Goldblatt
Visual Effects Supervisor
Michael Clayton (2007)
Directed by: Tony Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Visual Effects Supervisor: Big Film Design
Margot at the Wedding (2007)
Directed by: Noah Baumbach
Cinematography by: Harris Savides
Edited by: Carol Littleton
Cameras: ARRICAM Lite (LT) Camera
Title Designer
Failure to Launch (2006)
Directed by: Tom Dey
Cinematography by: Claudio Miranda
Edited by: Steven Rosenblum
Visual Effects Supervisor: Big Film Design Inc.
Fur: An Imaginary Portrait of Diane Arbus (2006)
Directed by: Steven Shainberg
Cinematography by: Bill Pope
Title Designer
Inside Man (2006)
Directed by: Spike Lee
Cinematography by: Matthew Libatique
Edited by: Barry Alexander Brown
Visual Effects Supervisor
The Devil Wears Prada (2006)
Directed by: David Frankel
Cinematography by: Florian Ballhaus
Edited by: Mark Livolsi
Cameras: ARRICAM Studio (ST) Camera
Main Title Designer: Big Film Design
The Night Listener (2006)
Directed by: Patrick Stettner
Cinematography by: Lisa Rinzler
Edited by: Andy Keir
Visual Effects Supervisor: Big Film Design Corp.
Little Children (2006)
Directed by: Todd Field
Cinematography by: Antonio Calvache
Edited by: Leo Trombetta
Title Designer
Notes on a Scandal (2006)
Directed by: Richard Eyre
Cinematography by: Chris Menges
Lenses: Cooke S4 Lenses
Title Designer
A Prairie Home Companion (2006)
Directed by: Robert Altman
Cinematography by: Edward Lachman
Edited by: Jacob Craycroft
Cameras: Sony HDW-F900 Camera
Lenses: Fujinon Lenses
Second Unit Director - 1 Episode, 2009
30 Rock (2006)
Directed by: Don Scardino, Beth McCarthy-Miller, John Riggi, Michael Engler, Gail Mancuso, Adam Bernstein, Ken Whittingham, Jeff Richmond, Stephen Lee Davis, Scott Ellis, Steve Buscemi, Tricia Brock, Todd Holland, Millicent Shelton, Claire Cowperthwaite, Linda Mendoza, Juan José Campanella, Paul Feig, Dennie Gordon, Richard Shepard, Kevin Rodney Sullivan, Constantine Makris, Robert Carlock, Jamie Sheridan, Michael Slovis
Cinematography by: Matthew Clark, Vanja Cernjul, Peter Reniers, Michael Slovis, Tom Houghton, Michael Trim, Calen Lang, Peter Agliata, William Klayer
Title Designer
Everything Is Illuminated (2005)
Directed by: Liev Schreiber
Cinematography by: Matthew Libatique
Title Designer: End Title Sequence, Big Film Design
The Producers (2005)
Directed by: Susan Stroman
Edited by: Steven Weisberg
Title Designer
The Notorious Bettie Page (2005)
Directed by: Mary Harron
Cinematography by: W. Mott Hupfel III
Edited by: Tricia Cooke
Title Designer
Broken Flowers (2005)
Directed by: Jim Jarmusch
Cinematography by: Frederick Elmes
Edited by: Jay Rabinowitz
Lenses: Zeiss Variable Prime Lenses
Title Designer
Secret Window (2004)
Directed by: David Koepp
Cinematography by: Fred Murphy
Edited by: Jill Savitt
Visual Effects
Kinsey (2004)
Directed by: Bill Condon
Cinematography by: Frederick Elmes
Edited by: Virginia Katz
Title Designer
The Manchurian Candidate (2004)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Visual Effects Supervisor: Big Film Design
A Dirty Shame (2004)
Directed by: John Waters
Cinematography by: Steve Gainer
Edited by: Jeffrey Wolf
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke S4 Lenses
Title Designer: Big Film Design
The Stepford Wives (2004)
Directed by: Frank Oz
Cinematography by: Rob Hahn
Edited by: Jay Rabinowitz
Title Designer
She Hate Me (2004)
Directed by: Spike Lee
Cinematography by: Matthew Libatique
Edited by: Barry Alexander Brown
Cameras: Aaton A-Minima Camera, ARRI Cameras
Title Designer
The Ladykillers (2004)
Cinematography by: Roger Deakins
Editing System: Final Cut Pro Editing System
Titles Designer: Big Film Design / Titles Supervisor: Big Film Design
Intolerable Cruelty (2003)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 Camera
Editing System: Final Cut Pro Editing System
Visual Effects Supervisor
Mona Lisa Smile (2003)
Directed by: Mike Newell
Cinematography by: Anastas N. Michos
Edited by: Mick Audsley
Visual Effects
How to Lose a Guy in 10 Days (2003)
Directed by: Donald Petrie
Cinematography by: John Bailey
Edited by: Debra Neil-Fisher
Visual Effects Supervisor
The Company (2003)
Directed by: Robert Altman
Cinematography by: Andrew Dunn
Edited by: Geraldine Peroni
Visual Effects Supervisor: Big Film Design
Head of State (2003)
Directed by: Chris Rock
Cinematography by: Donald E. Thorin
Edited by: Stephen A. Rotter
Visual Effects
Full Frontal (2002)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Sarah Flack
Cameras: Canon XL1S Camera
Editing System: Final Cut Pro Editing System
Visual Effects
Secretary (2002)
Directed by: Steven Shainberg
Cinematography by: Steven Fierberg
Edited by: Pam Wise
Title Designer , Visual Effects Supervisor
Two Weeks Notice (2002)
Directed by: Marc Lawrence
Cinematography by: László Kovács
Edited by: Susan E. Morse
Title Designer: Big Film Design, Visual Effects Supervisor: Big Film Design
Chicago (2002)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Martin Walsh
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System, Lightworks Editing System
Visual Effects Supervisor
Analyze That (2002)
Directed by: Harold Ramis
Cinematography by: Ellen Kuras
Edited by: Andrew Mondshein
Title Designer
Orange County (2002)
Directed by: Jake Kasdan
Cinematography by: Greg Gardiner
Edited by: Tara Timpone
Title Designer
Changing Lanes (2002)
Directed by: Roger Michell
Cinematography by: Salvatore Totino
Edited by: Christopher Tellefsen
Title Designer
Maid in Manhattan (2002)
Directed by: Wayne Wang
Cinematography by: Karl Walter Lindenlaub
Edited by: Craig McKay
Title Designer
The Guys (2002)
Directed by: Jim Simpson
Cinematography by: Maryse Alberti
Edited by: Sarah Flack
Cameras: Aaton Cameras, Panavision Cameras
Title Designer
25th Hour (2002)
Directed by: Spike Lee
Cinematography by: Rodrigo Prieto
Edited by: Barry Alexander Brown
Lenses: Zeiss Ultra Prime Lenses
Visual Effects Supervisor
No Such Thing (2001)
Directed by: Hal Hartley
Cinematography by: Michael Spiller
Edited by: Steve Hamilton
Title Designer: Balsmeyer & Everett Inc.
The Man Who Wasn't There (2001)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke S4 Lenses
Visual Effects Supervisor
The Royal Tenenbaums (2001)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Dylan Tichenor
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Title Designer
Wit (2001)
Directed by: Mike Nichols
Cinematography by: Seamus McGarvey
Edited by: John Bloom
Title Designer
The Shipping News (2001)
Directed by: Lasse Hallström
Cinematography by: Oliver Stapleton
Edited by: Andrew Mondshein
Visual Effects
Down to Earth (2001)
Cinematography by: Richard Crudo
Edited by: Priscilla Nedd-Friendly
Visual Effects Supervisor
Book of Shadows: Blair Witch 2 (2000)
Directed by: Joe Berlinger
Cinematography by: Nancy Schreiber
Visual Effects Supervisor
Before Night Falls (2000)
Directed by: Julian Schnabel
Edited by: Michael Berenbaum
Cameras: ARRIFLEX 35 BL4s Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Super Speed Lenses
Title Designer: Balsmeyer & Everett
O Brother, Where Art Thou? (2000)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke S4 Lenses
Editing System: Final Cut Pro Editing System
Title Designer, Visual Effects Supervisor
Shaft (2000)
Directed by: John Singleton
Cinematography by: Donald E. Thorin
Title Designer
Bamboozled (2000)
Directed by: Spike Lee
Cinematography by: Ellen Kuras
Edited by: Samuel D. Pollard
Title Designer
Summer of Sam (1999)
Directed by: Spike Lee
Cinematography by: Ellen Kuras
Edited by: Barry Alexander Brown
Title Designer
Gloria (1999)
Directed by: Sidney Lumet
Cinematography by: David Watkin
Edited by: Tom Swartwout
Title Designer
The Deep End of the Ocean (1999)
Directed by: Ulu Grosbard
Cinematography by: Stephen Goldblatt
Edited by: John Bloom
Title Designer
Magnolia (1999)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Cameras: Panavision Cameras, Pathé Cameras
Lenses: Panavision Lenses
Visual Effects Supervisor
Analyze This (1999)
Directed by: Harold Ramis
Cinematography by: Stuart Dryburgh
Visual Effects Supervisor: Balsmeyer & Everett
Man on the Moon (1999)
Directed by: Milos Forman
Cinematography by: Anastas N. Michos
Visual Effects
Life (1999)
Directed by: Ted Demme
Cinematography by: Geoffrey Simpson
Edited by: Jeffrey Wolf
Visual Effects Supervisor: Balsmeyer & Everett, Inc.
It All Came True (1998)
Directed by: Peter Yates
Cinematography by: Sven Nykvist
Edited by: Hughes Winborne
Title Designer , Visual Effects Supervisor
He Got Game (1998)
Directed by: Spike Lee
Edited by: Barry Alexander Brown
Title Designer
Madeline (1998)
Directed by: Daisy von Scherler Mayer
Cinematography by: Pierre Aïm
Edited by: Jeffrey Wolf
Title Designer
The Big Lebowski (1998)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 535 B Camera
Visual Effects
A Price Above Rubies (1998)
Directed by: Boaz Yakin
Cinematography by: Adam Holender
Edited by: Arthur Coburn
Title Designer
Wide Awake (1998)
Directed by: M. Night Shyamalan
Cinematography by: Adam Holender
Edited by: Andrew Mondshein
Cameras: Panavision Cameras
Titles Consultant
Twilight (1998)
Directed by: Robert Benton
Cinematography by: Piotr Sobocinski
Edited by: Carol Littleton
Cameras: Panavision Cameras
Title Designer
Kundun (1997)
Directed by: Martin Scorsese
Cinematography by: Roger Deakins
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX 535 B Camera
Visual Effects Supervisor: Balsmeyer & Everett
The Ice Storm (1997)
Directed by: Ang Lee
Cinematography by: Frederick Elmes
Edited by: Tim Squyres
Title Designer, Visual Effects Supervisor
Cop Land (1997)
Directed by: James Mangold
Cinematography by: Eric Alan Edwards
Edited by: Craig McKay
Title Designer
In the Gloaming (1997)
Directed by: Christopher Reeve
Cinematography by: Frederick Elmes
Edited by: David Ray
Title Designer
First Time Felon (1997)
Directed by: Charles S. Dutton
Cinematography by: Jeffrey Jur
Edited by: Anthony Sherin
Title Designer
Chinese Box (1997)
Directed by: Wayne Wang
Cinematography by: Vilko Filac
Edited by: Christopher Tellefsen
Title Designer
The Spanish Prisoner (1997)
Directed by: David Mamet
Cinematography by: Gabriel Beristain
Edited by: Barbara Tulliver
Title Designer
4 Little Girls (1997)
Directed by: Spike Lee
Cinematography by: Ellen Kuras
Edited by: Samuel D. Pollard
Digital Compositor, Title Designer
In & Out (1997)
Directed by: Frank Oz
Cinematography by: Rob Hahn
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Title Designer
Surviving Picasso (1996)
Directed by: James Ivory
Cinematography by: Tony Pierce-Roberts
Edited by: Andrew Marcus
Title Designer
Get on the Bus (1996)
Directed by: Spike Lee
Cinematography by: Elliot Davis
Edited by: Leander T. Sales
Visual Effects Supervisor: Balsmeyer & Everett
Everyone Says I Love You (1996)
Directed by: Woody Allen
Cinematography by: Carlo Di Palma
Edited by: Susan E. Morse
Title Designer
Kama Sutra: A Tale of Love (1996)
Directed by: Mira Nair
Cinematography by: Declan Quinn
Edited by: Kristina Boden
Title Designer
Beautiful Girls (1996)
Directed by: Ted Demme
Cinematography by: Adam Kimmel
Edited by: Jeffrey Wolf
Title Designer , Visual Effects Designer: Balsmeyer & Everett, Inc. / Visual Effects Supervisor: Balsmeyer & Everett, Inc.
Girl 6 (1996)
Directed by: Spike Lee
Cinematography by: Malik Hassan Sayeed
Edited by: Samuel D. Pollard
Title Designer
Ransom (1996)
Directed by: Ron Howard
Cinematography by: Piotr Sobocinski
Title Designer
Lone Star (1996)
Directed by: John Sayles
Cinematography by: Stuart Dryburgh
Edited by: John Sayles
Title Designer
The People vs. Larry Flynt (1996)
Directed by: Milos Forman
Cinematography by: Philippe Rousselot
Edited by: Christopher Tellefsen
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Title Designer
Marvin's Room (1996)
Directed by: Jerry Zaks
Cinematography by: Piotr Sobocinski
Edited by: Jim Clark
Title Designer
Blue in the Face (1995)
Cinematography by: Adam Holender
Edited by: Christopher Tellefsen
Visual Effects Supervisor
Dead Man (1995)
Directed by: Jim Jarmusch
Cinematography by: Robby Müller
Edited by: Jay Rabinowitz
Supervising Designer: Gangsta Video Game
Clockers (1995)
Directed by: Spike Lee
Cinematography by: Malik Hassan Sayeed
Edited by: Sam Pollard
Cameras: ARRIFLEX 535 Camera, Moviecam Compact Camera
Title Designer
Amateur (1994)
Directed by: Hal Hartley
Cinematography by: Michael Spiller
Edited by: Steve Hamilton
Cameras: Panavision Panaflex Gold Camera
Title Designer
Mrs. Parker and the Vicious Circle (1994)
Directed by: Alan Rudolph
Cinematography by: Jan Kiesser
Edited by: Suzy Elmiger
Title Designer
The Hudsucker Proxy (1994)
Cinematography by: Roger Deakins
Edited by: Thom Noble
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Lenses
Title Designer
Fresh (1994)
Directed by: Boaz Yakin
Cinematography by: Adam Holender
Edited by: Dorian Harris
Title Designer
Little Buddha (1993)
Directed by: Bernardo Bertolucci
Cinematography by: Vittorio Storaro
Edited by: Pietro Scalia
Title Designer
M. Butterfly (1993)
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Title Designer
Life with Mikey (1993)
Directed by: James Lapine
Cinematography by: Rob Hahn
Edited by: Robert Leighton
Visual Effects Supervisor
The Dutch Master (1993)
Directed by: Susan Seidelman
Cinematography by: Maryse Alberti
Edited by: Mona Davis
Title Designer: Main Title, Visual Effects Producer
Sleepless in Seattle (1993)
Directed by: Nora Ephron
Cinematography by: Sven Nykvist
Edited by: Robert M. Reitano
Title Designer
A Bronx Tale (1993)
Directed by: Robert De Niro
Cinematography by: Reynaldo Villalobos
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Visual Effects Supervisor
Prelude to a Kiss (1992)
Directed by: Norman René
Cinematography by: Stefan Czapsky
Edited by: Stephen A. Rotter
Title Designer
Whispers in the Dark (1992)
Directed by: Christopher Crowe
Cinematography by: Michael Chapman
Visual Effects Supervisor
Equinox (1992)
Directed by: Alan Rudolph
Cinematography by: Elliot Davis
Edited by: Michael Ruscio
Title Designer
Night on Earth (1991)
Directed by: Jim Jarmusch
Cinematography by: Frederick Elmes
Edited by: Jay Rabinowitz
Title Designer
Jungle Fever (1991)
Directed by: Spike Lee
Cinematography by: Ernest R. Dickerson
Edited by: Samuel D. Pollard
Visual Effects Supervisor
Shadows and Fog (1991)
Directed by: Woody Allen
Cinematography by: Carlo Di Palma
Edited by: Susan E. Morse
Title Designer
Regarding Henry (1991)
Directed by: Mike Nichols
Cinematography by: Giuseppe Rotunno
Edited by: Sam O'Steen
Cameras: Panavision Cameras
Title Designer
Mo' Better Blues (1990)
Directed by: Spike Lee
Cinematography by: Ernest R. Dickerson
Edited by: Samuel D. Pollard
Cameras: ARRIFLEX 35 BL4 Camera
Lenses: Zeiss Super Speed Lenses
Motion Control Supervisor
Ghost (1990)
Directed by: Jerry Zucker
Cinematography by: Adam Greenberg
Edited by: Walter Murch
Cameras: ARRI ARRIFLEX Series Cameras
Title Designer
Miller's Crossing (1990)
Cinematography by: Barry Sonnenfeld
Edited by: Michael R. Miller
Visual Effects Supervisor
A Shock to the System (1990)
Directed by: Jan Egleson
Cinematography by: Paul Goldsmith
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Visual Effects Supervisor: Balsmeyer & Everett
Alice (1990)
Directed by: Woody Allen
Cinematography by: Carlo Di Palma
Edited by: Susan E. Morse
Cameras: Panavision Cameras
Title Designer
Do the Right Thing (1989)
Directed by: Spike Lee
Cinematography by: Ernest R. Dickerson
Edited by: Barry Alexander Brown
Motion Control Programmer
Dead Ringers (1988)
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Title Designer
School Daze (1988)
Directed by: Spike Lee
Cinematography by: Ernest R. Dickerson
Edited by: Barry Alexander Brown
Title Designer
House of Games (1987)
Directed by: David Mamet
Cinematography by: Juan Ruiz Anchía
Edited by: Trudy Ship
Cloud Tank Photography: R/Greenberg
Weird Science (1985)
Directed by: John Hughes
Cinematography by: Matthew F. Leonetti
Animation Designer: Special Visual Effects Unit
Xanadu (1980)
Directed by: Robert Greenwald
Cinematography by: Victor J. Kemper
Edited by: Dennis Virkler
